Karen Grumberg - Articles:

1. Schwellenangst : die Wüste in "Nenn die Nacht nicht Nacht" von Amos Oz.  Das Gelobte Land : Erez Israel von der Antike bis zur Gegenwart : Quellen und Darstellungen / Hrsg.: Alexandra Pontzen, Axel Stähler (Reinbek bei Hamburg : Rowohlt Taschenbuch Verlag, 2003), pp. 269-283.

 

2. Places of possibility in Allegra Goodman's "Kaaterskill Falls" and "Paradise Park".  Jewish Women's Writing of the 1990s and Beyond in Great Britain and the United States / editors, Ulrike Behlau and Bernhard Reitz (Trier: WVT Wissenschaftlicher Verlag, 2004), pp. 227-236.

 

3. Ricki Lake in Tel Aviv : the alternative of Orly Castel-Bloom's Hebrew-English.   Anglophone Jewish literature / edited by Axel Stähler (London and New York : Routledge, 2007), pp. 234-248.

 

4. <Book review> "In Spite of Partition: Jews, Arabs, and the Limits of Separatist Imagination", by Gil Z. Hochberg  (Princeton, NJ : Princeton University Press, 2007).  Comparative Studies of South Asia, Africa and the Middle East, vol. 29, no. 2 (2009), pp. 342-343.

 

5. Necessary wounds and the humiliation of "Galut" in Roth's "The Counterlife" and "Operation Shylock". Philip Roth Studies, vol. 5,no. 1 (2009), pp. 35-59.

 

6. Migration as Place: The Airplane and Airport in Ronit Matalon's "The One Facing Us" and "Bliss".  Scritture Migranti, vol.  3 (2009), pp. 47-66.

 

7. Of sons and (m)others : the spectropoetics of exile in autobiographical writing by Amos Oz and Albert Cohen.  Prooftexts, vol. 30, no.3 (Spring 2010), pp. 373-401.

 

8. "Female Grotesque": Orly Castel-Bloom  and the Israeli Woman's Body.  Nashim: a Journal of Jewish Women's Studies and Gender Issues, no. 23 (Spring/Fall 2012), pp. 145-168.